Friday, January 22, 2016

Process Vedio & FInal Vedio...

This is we final vedio and this is the process....



  •  First we catching the vedio at few place.Like at The Mines in Serdang on KTM BOT,that is a beautiful places and is cheaper to get the bot with the fees on RM 3 Per way when at KTM Serdang to The Mines Shopping Mall.
Figure 1 : Ktm Boat at Serdang

  • At LCCT Air Port at selangor to catch the lion dance vedio.
  • On the New Year catch the firework on Johor baharu.
  • Datuk Si Temple at broga. 
  • The way we use Ktm went to Serdang.
  • After that we also just catch and other places like Kek Lok Si(极乐寺)at Penang and the pasar malam.
  • We get all the vedio so we use the Adobe Premium Pro to edit and cut the vedio.
Figure 2: The cut vedio at Premium Pro.


Figure 3: Add in the music.

Figure 4: Bland the vedio.

The Final Vedio.


I hope your guys at 2016 got a happy year.Happy Mokey Year So Good........

Promotion Item

Figure 5: The present use orange of chinese and the candy.
 
Figure 6: The Paper Bag.

Figure 7: Red Packet.


Figure 8: Cd Cover

Figure 9:Sticker 1
Figure 10:Sticker 2
Figure 11:Sticker 3
Figure 12:Sticker 4    


Figure 13:Bookmark
Figure14: Inner Cd




Tuesday, December 22, 2015

Moodboard


Research



Chapter 1: Introduction
1.1  Introduction
Chinese New Year is a Chinese festival celebrated at the turn of the Chinese calendar, also called Spring Festival; it’s translation of the modern Chinese name. The celebration runs from Chinese New Year’s Eve, when the last day of the last month of Chinese calendar, and celebrated in countries with Chinese population include Malaysia. Sometimes the peoples with other religion or races were celebrating together.

1.1.1        History
The most important holiday for Chinese around the world is undoubtedly Chinese New Year -- and it all started out of fear.
The centuries-old legend on the origins of the New Year celebration varies from teller to teller, but they all include a story of a terrible mythical monster that preyed on villagers. According to tales and legends, the beginning of Chinese New Year started with the fight against a mythical monster’s name was Nian () which is also the Chinese Word for “year."

The "Year" looks like an ox with a lion head and inhabits in the sea. At the night of New Year's Eve, the "Year" will come out to harm people, animals, and properties. Later, people found that the "Year" fears the color red, fire, and loud sounds. Therefore, for self-protection, people formed the habit of posting red Dui Lian in front of their house as well as launching fireworks, and hanging lanterns at year end.
The villagers took the old man’s advice and the Nian was conquered. On the anniversary of the date, the Chinese recognize the “passing of the Nian” known in Chinese as guo nian (过年), which is also synonymous with celebrating the new year.

But it is unclear when the exact beginning of the New Year celebration in China is. Normally, it was said to start from the year end religious ceremony during the Shang Dynasty (1766 BC - 1122 BC). A few believe that it started from as early as Emperor Yao and Shun (~2300 BC). At the beginning, the date of celebration varied from mid-winter to early spring. With the maturity of the solar base calendar, Emperor Wu (157 BC - 87 BC) of the Han Dynasty (206 BC - 220), established the first day of the first month as the beginning of the year, where it remains. The following is a brief list:
·  Emperor Yao and Emperor Shun (~ 2300 BC): small scale New Year celebration type of activities.
·  Shang Dynasty (1766 BC - 1122 BC): New Year celebration started from religious ceremony.
·  Han Dynasty (206 BC - 220): New Year celebration is official at the first day of the first month and crack bamboo appeared. (Crack bamboo will create loud cracking sound when put on fire. It is believed that the sound drives away evil.)
·  Wei Dynasty (220 - 265) and Jin Dynasty (265 - 420): Fireworks used in New Year celebration. The tradition of Shou Sui formed.
·  Song Dynasty (960 - 1279): Fireworks using gun powder began.

The date of Chinese New Year changes each year as it is based on the lunar calendar. While the western Gregorian calendar is based on the earth’s orbit around the sun, China and most Asian countries use the lunar calendar that is based on the moon’s orbit around the earth. Chinese New Year always falls on the second new moon after the winter solstice.

Other Asian countries such as Korea, Japan and Vietnam also celebrate New Year using the lunar calendar.

While both Buddhism and Daoism have unique customs during the New Year, Chinese New Year is far older than both religions. Like many agrarian societies, Chinese New Year is rooted in much a celebration of spring just like Easter or Passover.

Depending on where rice is grown in China, the rice season lasts from roughly May to September (north China), April to October (Yangtze River Valley), or March to November (Southeast China).

The New Year was likely the start of preparations for a new growing season. Spring cleaning is a common theme during this time, as many Chinese will clean out their homes during the holiday. The New Year celebration could even have been a way to break up the boredom of the long winter months.

1.1.2        Festival
v  Lantern Festival
The Lantern Festival is the last day (traditionally) of Chinese New Year, known as Spring Festival. Actually Lantern Festival celebrated on the 15th day of the first Chinese lunar month. After the Lantern Festival, Chinese New Year taboos are no longer in effect, and all New Year decorations are taken down.
The Lantern Festival is also the first full moon night in the Chinese calendar, marking the return of spring and symbolizing the reunion of family. However, most people cannot celebrate it with their families, because there is no public holiday for this festival.

v  Johor Chin Gay
The Johor Bahru Chin gay Parade has a 140-year history. To begin with the word Chin gay must be explained. The two characters Ching and Gay (庄艺) is the Min Nan dialect (including Teochew) for ‘the Art of Decorating (or Make-up). Johor Bahru residents have rarely referred to their annual parade of the deities as Chingay Parade. This name is mostly used by the non-Chinese speaking public; probably due to the non-religious fancy parades in Penang and later in Singapore. Although the decorated floats and painted Chinese folk-characters are part and parcel of this annual parade, the main theme actually is the procession of the Five Deities from the five main dialect-groups of Johor Bahru. Thus for a JB resident, especially the Chinese-educated, this annual parade is always termed ‘YOU-SHEN’ (游神) or ‘Parade of the Deities’. As the principal deity in the Johor Bahru Old Temple is Yuan Tian Shang Di which the Teochews call Tua Lau Ya, this festival is still referred to by the Teochews as ‘Yia Lau Ya’ (in Mandarin Yin Lao Ye—营老爷) which in Teachew patois means ‘carrying and parading the Lau Ya’. This sets it apart from the non-religious ‘Chingays’ of Singapore and Penang which are annual parades of a festival nature to cater for tourists and to celebrate the Lunar New Year.

The JB You Shen is held annually on the 20th to the 22nd day of the First Month of the Lunar New Year also as part of the Lunar New Year celebration and as a harbinger of peace and prosperity for the coming year for the town. This annual event is inextricably linked to the Old Temple at JalanTrus. The exact date of the origin of this temple is rather hazy; but there are two artifacts within that pointed to its existence 140 years ago; one plaque bears the words "8th year of the Tongzhi era" (1870) and a bell has the engraving "13th year of the Tongzhi era" (1875). Historical records uncovered in the even older fane in KangkarTebrau shows that the early Teo Chew Kang Chu or River-mouth Chief (this kangchu and kangkar-system was innovated by Sultan Abu Bakar to encourage Chinese immigrants to settle inland to cultivate virgin land, which is why to this day there are numerous kangkars all over Johor which are rural Chinese settlements). Then the most convenient mode of transport was by the river and hence riparian settlements sprouted up at river-mouths and estuaries; but due to the proliferation of diseases such as malaria and also the dangers of wild animals and crocodiles, Tan Khai Soon the original kangchu of this old fane moved down to Tanjung Petri just at about the same time when Sultan Abu Bakar had commissioned the ‘Yap Ah Loy’ of Johor Bahru; Wong Ah Fook to build the new capital. And so the old deity in KangkarTebrau, the Yuan Tian Shang Di found a new abode at the JalanTrus Temple. As Johor Bahru was mostly populated by Teochews in its early history, naturally the Teochew faction dominated the cultural, social and religious aspects of the day-to-day life of JB Chinese community. As time went on the other dialect groups started to settle in JB and so with them came the deities they worshipped; this is common practice among Chinese communities overseas; they tend to bring their respective village or clan deities to the new lands they emigrated in order to seek the blessing and protection of their ‘patron saints’.

Today the JB Old Temple has five main deities for the five main dialect-groups: Yuan Tian Shang Di (元天上帝) or Tua Lau Ya (大老爷)for the Teochews, Hong Xian Da Di (洪天大帝) for the Hokkiens, GanTian Da Di (感天大帝) for the Hakkas, Hua Guang Da Di (华光大帝) for the Cantonese and Zhao Da Yuan Shuai (赵大元帅) for the Hainanese.

Figure 1: YOU SHENG”游神five deities were enthroned in the Old Temple at Johor.
These deities each has its own ‘birthdays’ which are also celebrated on that particular day in the Old Temple or in some specific fanes dedicated to it elsewhere. After the five deities were enthroned in the Old Temple, the five clans formed a Chinese community organization called the Hua Qiao Gong Suo (华侨公所) or Overseas Chinese Community Hall which was later transformed into the present-day Tiong Hua Association (中华公会) in 1945. It is this umbrella-organization that oversees all the activities if the Old Temple and governs all the rituals, rules and owns its assets (including burial grounds, crematorium and funeral parlous). 

Figure 2: “YOU SHENG”游神five deities were enthroned in the Old Temple.

The direct body that runs the Old Temple is the Johor Old Temple Management Committee which is under the parent organization. As the parent body of the Five Clans the TiongHua Association therefore takes the lead in unifying the Chinese clans in Johor Bahru and through festivities like the You Shen Parade, fosters inter-clan cooperation and unity. The festivities begins each year on the morning or noon of the 19th day when a troop of gong-bearers adorned with a divine banner will be seen walking and clanging the gongs along the entire parade route to ‘wash the way’. On the 20th day of the Lunar Calendar robust young men will then enter the Old Temple at the opportune time in the morning to prepare the deities for their annual journey; this preparation is elaborate and only the real experts are qualified to tie the sedans and fasten the idols so that they will not drop during the jostling and tussling when borne. Having secured the idols to the stable and lofty positions then each of the sedans is carried out by robust devotees onto JalanTrus amidst the shouts of ‘Huat-ah’ or ‘Heng-ah’ (Prosperity-ho! Fortune-ho!). These sedans are then carried on a straight journey to be placed at the Jalan Ngee Heng Shen Chang (神厂) or Deities’ Depot for general worship.

On the 21st day at about 7 in the evening is the grand parade; all the devotees and those with designated tee-shirts of the respective associations will then enter the Deities’ Depot to lift their respective deities for the night parade; this will be accompanied by troupes of opera characters, musical bands, lion-dancers, dragon dancers, decorated floats, acrobats, stilt-walkers, big-headed dolls, giant flags and many other groups to entertain the town-folks who by then will line along the entire route eagerly awaiting the deities to pass; for the more devoted and superstitious each time a sedan passes by they will clasp their palms in prayer and yell Heng-ah or Huat-ah. The order of the procession is always predetermined; the first deity to lead the parade will be Zhao Da Yuan Shuai of the Hainanese clan, followed by HuaGuang Da Di (Cantonese), then GanTian Da Di (Hakka), Hong Xian Da Di (Hokkien) and the last to round up the back is the main deity Yuan Tian Shang Di (Teochew). This last deity is given the most revered position at the back and for good reasons and good sense too; this deity is always followed by an army of joss-stick wielding devotees all humbly following the entire route; in days of yore it was not uncommon to see some weaker old women hiring trishaws to follow and fulfill their vows! All told the number of people involved in this gigantic festival numbers about 200,000! This unquestionably is the largest annual festival in Johor Baharu. 

Figure 3: “YOU SHEN”游神the show of the “San Tai Zi” dance.

The entire journey is about 10 kilometers and due to its snaky and winding route and stoppages at pivotal points such as the town centre and the Royal Dais, the parade will only grind to a halt back at the Depot in the wee hour of the morning, usually around 1 a.m. when the tired young men will call it a night. The route of the night parade is different from those of the ‘Coming-Out-of-Palace‘and ‘Going-Back-to-the-Divine-Abode’ parades. These two journeys are more direct and shorter. Upon the return of the Deities to their Divine abodes, then will JB residents finally feel that the Chinese New Year is indeed over!

For those who have not witnessed this unique JB phenomenon, the experience can be intimidating and sometimes amusing! When the divine sedans are carried for the three journeys, robust devotees, usually young men with bravado will jostle, push and shove for a hold on the sedans and it is not uncommon that they will end up with bruises, sprains and other minor injuries! With this jostling and shoving, the sedans will rock wildly and violently, sometimes even keeling over to knock at the devotees or bystanders! The believers insist that the sedans rocked because of the deities’ mood and the jostling for positions is to steady and keep them firm.
This annual parade has become a symbol of Chinese culture, attracting researchers, scholars, journalists and historians from Singapore, Taiwan, Thailand and even China, to come and study this unique practice which is far more elaborate than similar You Shen festivals in China itself, the place of origin!

1.1.3 Chinese New Year Customs:
·         Cleaning and Purchase
Cleaning before Chinese New Year is a tradition in Chinese culture. In Chinese, “dust” is a homophone for the word “old” (Chen), thus cleaning means to drive the bad luck or the old things away from the house to get ready for a new start.

·         Chinese Couplets
The customs of pasting couplets can be traced back over 1000 years to the Shu State (934-965), and the antithetical couplets are written start from Song Dynasty (960-1279) to express people’s good wishes as well as being a decoration. The couplets include antithetical on 2 sides and a horizontal scroll hanging on the top.



·         Word “Fu”
The character “Fu”, meaning good fortune or happiness, is used to express people’s good wishes and yearning for the future, usually paste on the gates or some furniture in the house during the Chinese New Year. If paste upside down, meaning the “arrival” (Dao) of happiness or good fortune. 


·         Red Envelopes ( Ang Pau )
Also called lucky money, is prepared for children or somebody who haven’t married by adults and elderly. In folk culture, the children will live safe and sound for the whole year if they get lucky money.


1.1.4 Chinese New Year’s taboos:
ü  Cannot using medicine in the first day of Chinese New Year.
ü  Porridge and meat should not eat and must cooked rice to be the first meal of the year.
ü  Needle work should not be done.
ü  A woman may not leave her house.
ü  A married woman may not leave her house.
ü  Cannot sweep.
ü  Cannot breaking tools or other equipment.
ü  Cannot debt.
ü  Cannot kill.
ü  Cannot wear black or white.

1.2  Objective
Ø To decrease the matter wasting and remain the people about the recycle during 
   Chinese New Year.
Ø To make a new design to replace the old design
Ø To make it all the students more communication with the seniors and lectures

1.3  Problem Statement
·         Not recyclable
·         Too traditional
·         Low communication between SOMAD students and lecturers.

1.4  Scope
1.4.1        Limitation
v  Keep in traditional style.
v  Follow the Chinese New Year’s law.
v  Celebration for Chinese
1.4.2        Delimitation
v  The style of celebration.
­­Chapter 2: Literature Review
ü Too Traditional
Ang Pau, which are little red packets containing new money, play an important part in the Chinese culture. The origin of Ang Pau dates back to the Sung Dynasty in Chang-Chieu, a village in China. A young orphan boy fought and defeated the evil dragon that was terrorizing the village at that time. All the villagers were delighted and hence, they presented the young boy with an Ang Pau. Since then, Ang Pau became a part of the Chinese tradition.

However being in such a multi-cultured country like Malaysia, cultures have been assimilated. Both the Malays and Indians have accepted the Ang Pau giving practice as part of their cultural practice. The Malays usually give green packets of the same size of an Ang Pau but adorned with Islamic motifs during Hari Raya. The Indians, on the other hand, give purple coloured packets to children during Deepavali.
Now, why red and not black or gray? Red, to the Chinese, is a colour that represents prosperity and good luck. The Chinese also believe that it is a colour to scare away evil spirits. Hence, most Ang Pau is red adorned with Chinese elements and well wishes like Chinese tangerines, gold pineapples, willows and dragons.
These Ang Pau are usually given by the married adults to young children as a sign of continued prosperity. The amount given is not such a big deal as receiving Ang Pau, whether small or big sums, has always been fun and exciting, especially for young children. However, it is important to note that when giving an Ang Pau, it should be a red envelope and not white as money put in white envelopes are meant for funerals.
It is often expected if not customary that Ang Pau given out are brand new, both the packet and the money inside. Hence, used Ang Pau packets are usually recycled for decorations or some even throw them away. This is also because these packets are widely available and cheap. Most banks, departmental stores and major shopping joints give out free Ang Pau packets a few weeks before Chinese New Year. Sometimes, their designs are much nicer and more colourful than the ones we purchase from bookstores or stationary shops.
Ang Pau giving is not only practiced during Chinese New Year; its convenience and practicality has gotten most people to practice the same when giving a gift during auspicious occasions like birthdays, weddings and anniversaries.
 




(The example of the angpau)
Greeting Card
  A greeting card is an illustrated piece of card or high quality paper featuring an expression of friendship or other sentiment. Although greeting cards are usually given on special occasions such as birthdays, Christmas or other holidays, they are also sent to convey thanks or express other feelings. Greeting cards, usually packaged with an envelope, come in a variety of styles. There are both mass-produced as well as handmade versions that are distributed by hundreds of companies large and small. While typically inexpensive, more elaborate cards with die-cuts or glued-on decorations may be more expensive.
Hallmark Cards and American Greetings are the two largest producers of greeting cards in the world today (both are U.S-based companies).
In Western countries and increasingly in other societies, many people traditionally mail seasonally themed cards to their friends and relatives in December. Many service businesses also send cards to their customers in this season, usually with a universally acceptable non-religious message such as "happy holidays" or "season's greetings".
The Greeting Card Association is an international trade organization representing the interests of greeting card and stationery manufacturers. John Beeder, former president of the Greeting Card Association, says greeting cards are effective tools to communicate important feelings to people you care about: "Anyone feels great when they receive an unexpected card in the mail. For me, there’s nothing like a greeting card to send a special message. I’m proud to be a part of an industry that not only keeps people connected, but uses both imagery and the power of words to help us express our emotions.”

Type of Greeting Card:
Counter cards:
Greeting cards that are sold individually. This contrasts with boxed cards.

Standard Greeting Cards:
 A standard greeting card is printed on high-quality paper (such as card stock), and is rectangular and folded, with a picture or decorative motif on the front. Inside is a pre-printed message appropriate for the occasion, along with a blank space for the sender to add a signature or handwritten message. A matching envelope is sold with the card. Some cards and envelopes feature fancy materials, such as gold, ribbons or glitter.

Photo Greeting Cards:
In recent years, photo greeting cards have gained widespread popularity and come in two main types. The first types are photo insert cards in which a hole has been cut in the centre. A photo slides in just like a frame. The second types are printed photo cards in which the photo is combined with artwork and printed, usually on a high-end digital press, directly onto the face of the card. Both types are most popular for sending holiday greetings such as Christmas, Hanukkah & for baby showers.

Personalized Greeting Cards:
Websites using special personalization technology, such as Moon pig, allow consumers to personalize a card which is then printed and sent directly to the recipient.

Reusable Greeting Cards:
 These are greeting cards for the budget conscious. There are two common formats for reusable cards. Firstly there are cards with slits in them positioned to hold pages. Secondly there notepad style cards where pages stick to the back of the cards. The pages that have been used for reusable cards can be removed after being received and fresh pages can be used to reuse the cards.

Risqué Greeting Cards:
 Some companies offer risqué greeting cards, with adult-based humor and cartoons. The humor in these cards can sometimes be offensive to more conservative parts of the population.
Musical Greeting Cards:
 Recently greeting cards have been made that play music or sound when they are opened. They are commonly 3D handmade birthday cards which play traditional celebration songs such as Happy.

Electronic Greeting Cards:
(Also called E-cards) Greeting cards can also be sent electronically. Flash-based cards can be sent by email, and many sites such as Facebook enable users to send greetings. More recently, services have launched which enable users to send greetings to a mobile phone by text message or use mobile app for this purpose such cards are called Mobile E-cards or M-Cards. Many of these electronic services offer open or anonymous chat, to enable further discussion.

Pop-Up Cards:
Pop-Up Cards are normally cards that, once opened, have a picture coming outward, giving the reader a surprise. Pictures and printed messages in greeting cards come in various styles, from fine art to humorous to profane. Non-specific cards, unrelated to any occasion, might feature a picture (or a pocket to paste in a personal photograph) but no pre-printed message.




(The example of Chinese new year greeting card)
Chapter 3: Methodology
3.2 Method use for Montage
1.      Analysis
2.      Design
3.      Develop
4.      Implementation
5.      Evaluations
3.2.1 Pre-production (Scripting, Storyboard,)
    We do the research about the video of freedom style. This kind of video is most like in travel and adventure. We decide to take the video at KL Petaling Street, Melaka or Ipoh.
3.2.2 Production (Video recorded, Editing)
  First we will shoot at shoes, start walking and keep shooting at walking shoes. The camera start move upward slowly until the object in front can be seeing.
  The scene change to another place, which is street with full of Chinese New Year decoration, night market with many people or activities, depends on New Year like lion dance, firework, dance and more.
  Last change to the beginning scene and continue walking and shooting. The camera move downward slowly and shoot on shoes. The scene turns black and gives the greeting from SOMAD.
3.2.3 Post-Production (How it’s going to present = TV Commercial, YouTube.)
   Editing in Adobe Premium Pro. The video we will upload in YouTube, Facebook and SOMAD website.
3.3 Method used for Final Project
3.3.1 Analysis
  The Chinese New Year is just a celebration of Buddhism and Taoism, but now we try to want to change to for all races can celebrate it with Buddhism and Taoism.
  We try to let all the people know about Chinese New Year not only celebration of Buddhism and Taoism and the nice place or decoration of Chinese New Year.
3.3.2 Design
  We use of the style of freedom, all the place is the really place and we more use on colourful type.
3.3.3 Develop
  We most on software AI and use technic of RDCF:
R= Research
D= Development
C=Choose
F=Final

3.3.4 Implementation
    We will promote with give some sample for the person who will needed.

3.3.5 Evolution
 






Chapter 4: Development

Chapter 5: Conclusion















Reference:
http://www.travelchinaguide.com/essential/holidays/new-year/customs.htm
http://www.chinahighlights.com/travelguide/festivals/chinese-new-year-taboos
http://chineseculture.about.com/od/chinesefestivals/a/ChineseNewYear.htm
http://www.chinesenewyears.info/chinese-new-year-history.php
http://www.history.com/topics/holidays/chinese-new-year
http://www.chinahighlights.com/festivals/lantern-festival.htm
http://publicholidays.com.my/chinese-new-year/ang-pau/
https://en.wikipedia.org/wiki/Greeting_card